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爱的暂停键
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  回忆起他们的相识,前一段关系结束,新的相遇开始。玛利亚在聚会里遇见心仪对象迅速坠入情网,却在结婚七年后,突然迎来丈夫的离婚宣告。面对爱情悄然逝去,不甘放手的她,强拉着丈夫进行婚姻谘商,试图修复彼此之间的裂痕。当过去相处点滴被逐一摊开、放大检视,这个关于情感的练习题,却比她想像中还要难解复杂。
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流播
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  讲述在订阅人数中占据第一的神秘直播者,在挖掘无法解开的连环杀人事件线索的过程中展开的故事。
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麦克白2025
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  大卫·田纳特David Tennant和库什·珍宝Cush Jumbo(《傲骨之战》)共同出演的《麦克白》本周在西区正式开幕,剧组也宣布此前录制于丹玛尔仓库剧院首轮演出现场的影像版将于2025年2月5日起登陆影剧院!  本版《麦克白》导演是麦克斯·韦伯斯特Max Webster(《少年派的奇幻漂流》),观众入座时佩戴耳机,环境音效以3D声效的形式在耳机中播放,制造不安、恐怖的氛围。而现场观众..
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麦克白2025
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麦克白2025
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《荣耀六十年》剧情介绍

天堂电影网提供影视作品荣耀六十年高清全集在线观看的影视全集网,剧情片《荣耀六十年》全集作品的导演是Herbert  Wilcox   ,由Anna Neagle  Anton Walbrook  C. Aubrey Smith  Walter Rilla  主演,荣耀六十年在豆瓣的评分为2.0,本片由小编于2025-02-10 02:04更新,希望大家喜欢,可以把《荣耀六十年》推荐给你朋友,本作品的地址为 https://www.asy7.com/as/index/37215.html

《荣耀六十年》简介:  Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor

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