超清线路

猜你喜欢

爱的暂停键
2024 8.0分 剧情片
  回忆起他们的相识,前一段关系结束,新的相遇开始。玛利亚在聚会里遇见心仪对象迅速坠入情网,却在结婚七年后,突然迎来丈夫的离婚宣告。面对爱情悄然逝去,不甘放手的她,强拉着丈夫进行婚姻谘商,试图修复彼此之间的裂痕。当过去相处点滴被逐一摊开、放大检视,这个关于情感的练习题,却比她想像中还要难解复杂。
HD中字
流播
2025 6.0分 剧情片
  讲述在订阅人数中占据第一的神秘直播者,在挖掘无法解开的连环杀人事件线索的过程中展开的故事。
HD中字
流播
2025 1.0分 剧情片
  讲述在订阅人数中占据第一的神秘直播者,在挖掘无法解开的连环杀人事件线索的过程中展开的故事。
HD中字
流播
2025 7.0分 剧情片
  讲述在订阅人数中占据第一的神秘直播者,在挖掘无法解开的连环杀人事件线索的过程中展开的故事。
HD中字
麦克白2025
2025 1.0分 剧情片
  大卫·田纳特David Tennant和库什·珍宝Cush Jumbo(《傲骨之战》)共同出演的《麦克白》本周在西区正式开幕,剧组也宣布此前录制于丹玛尔仓库剧院首轮演出现场的影像版将于2025年2月5日起登陆影剧院!  本版《麦克白》导演是麦克斯·韦伯斯特Max Webster(《少年派的奇幻漂流》),观众入座时佩戴耳机,环境音效以3D声效的形式在耳机中播放,制造不安、恐怖的氛围。而现场观众..
HD中字
麦克白2025
2025 1.0分 剧情片
  大卫·田纳特David Tennant和库什·珍宝Cush Jumbo(《傲骨之战》)共同出演的《麦克白》本周在西区正式开幕,剧组也宣布此前录制于丹玛尔仓库剧院首轮演出现场的影像版将于2025年2月5日起登陆影剧院!  本版《麦克白》导演是麦克斯·韦伯斯特Max Webster(《少年派的奇幻漂流》),观众入座时佩戴耳机,环境音效以3D声效的形式在耳机中播放,制造不安、恐怖的氛围。而现场观众..
HD中字
麦克白2025
2025 2.0分 剧情片
  大卫·田纳特David Tennant和库什·珍宝Cush Jumbo(《傲骨之战》)共同出演的《麦克白》本周在西区正式开幕,剧组也宣布此前录制于丹玛尔仓库剧院首轮演出现场的影像版将于2025年2月5日起登陆影剧院!  本版《麦克白》导演是麦克斯·韦伯斯特Max Webster(《少年派的奇幻漂流》),观众入座时佩戴耳机,环境音效以3D声效的形式在耳机中播放,制造不安、恐怖的氛围。而现场观众..
HD中字

《不安分的年轻人们》剧情介绍

天堂电影网提供影视作品不安分的年轻人们高清全集在线观看的影视全集网,剧情片《不安分的年轻人们》全集作品的导演是马塞尔·卡尔内   ,由帕斯卡尔·普缇  安德丽·帕里西  雅克·夏里尔  洛朗·特兹弗  让-保罗·贝尔蒙多  达妮·萨瓦尔  主演,不安分的年轻人们在豆瓣的评分为10.0,本片由小编于2025-02-10 01:52更新,希望大家喜欢,可以把《不安分的年轻人们》推荐给你朋友,本作品的地址为 https://www.asy7.com/as/index/30769.html

《不安分的年轻人们》简介:  Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

加载中...