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爱的暂停键
2024 8.0分 剧情片
  回忆起他们的相识,前一段关系结束,新的相遇开始。玛利亚在聚会里遇见心仪对象迅速坠入情网,却在结婚七年后,突然迎来丈夫的离婚宣告。面对爱情悄然逝去,不甘放手的她,强拉着丈夫进行婚姻谘商,试图修复彼此之间的裂痕。当过去相处点滴被逐一摊开、放大检视,这个关于情感的练习题,却比她想像中还要难解复杂。
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流播
2025 6.0分 剧情片
  讲述在订阅人数中占据第一的神秘直播者,在挖掘无法解开的连环杀人事件线索的过程中展开的故事。
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流播
2025 1.0分 剧情片
  讲述在订阅人数中占据第一的神秘直播者,在挖掘无法解开的连环杀人事件线索的过程中展开的故事。
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流播
2025 7.0分 剧情片
  讲述在订阅人数中占据第一的神秘直播者,在挖掘无法解开的连环杀人事件线索的过程中展开的故事。
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麦克白2025
2025 1.0分 剧情片
  大卫·田纳特David Tennant和库什·珍宝Cush Jumbo(《傲骨之战》)共同出演的《麦克白》本周在西区正式开幕,剧组也宣布此前录制于丹玛尔仓库剧院首轮演出现场的影像版将于2025年2月5日起登陆影剧院!  本版《麦克白》导演是麦克斯·韦伯斯特Max Webster(《少年派的奇幻漂流》),观众入座时佩戴耳机,环境音效以3D声效的形式在耳机中播放,制造不安、恐怖的氛围。而现场观众..
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麦克白2025
2025 1.0分 剧情片
  大卫·田纳特David Tennant和库什·珍宝Cush Jumbo(《傲骨之战》)共同出演的《麦克白》本周在西区正式开幕,剧组也宣布此前录制于丹玛尔仓库剧院首轮演出现场的影像版将于2025年2月5日起登陆影剧院!  本版《麦克白》导演是麦克斯·韦伯斯特Max Webster(《少年派的奇幻漂流》),观众入座时佩戴耳机,环境音效以3D声效的形式在耳机中播放,制造不安、恐怖的氛围。而现场观众..
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麦克白2025
2025 2.0分 剧情片
  大卫·田纳特David Tennant和库什·珍宝Cush Jumbo(《傲骨之战》)共同出演的《麦克白》本周在西区正式开幕,剧组也宣布此前录制于丹玛尔仓库剧院首轮演出现场的影像版将于2025年2月5日起登陆影剧院!  本版《麦克白》导演是麦克斯·韦伯斯特Max Webster(《少年派的奇幻漂流》),观众入座时佩戴耳机,环境音效以3D声效的形式在耳机中播放,制造不安、恐怖的氛围。而现场观众..
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《飘零双燕》剧情介绍

天堂电影网提供影视作品飘零双燕高清全集在线观看的影视全集网,剧情片《飘零双燕》全集作品的导演是沃纳·施罗德   ,由伊莎贝尔·于佩尔  布鲁·欧吉尔  阿丽尔·朵巴丝勒  安尼卡·库尔  罗班松·斯泰弗南  让-弗朗索瓦·斯泰弗南  罗基里奥·萨莫拉  曼努埃尔・布兰科  Tim Fischer  主演,飘零双燕在豆瓣的评分为4.0,本片由小编于2025-02-10 01:48更新,希望大家喜欢,可以把《飘零双燕》推荐给你朋友,本作品的地址为 https://www.asy7.com/as/index/28551.html

《飘零双燕》简介:  Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence.  Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles.  Magdalena lives with her adopted parents and works in an art gallery.  The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.  Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch.  Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date.  The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride.  The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled.  Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert.  The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.

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